舍方知[电影解说]

《舍方知[电影解说]》讲述的是什么故事？

《舍方知[电影解说]》“Break Through the Limits of Eroticism!” So read the title of one newspaper advertisement for SABANGJI, set during the Chosŏn dynasty (1392-1910) and undeniably catering to heterosexual male desire to gaze into the realm of female homoeroticism. In classic exploitation form, the title character of the film possesses both male and female genitalia, leading Sabangji to suffer an identity crisis and experience feelings of self-contempt. 　　And yet the film erases the protagonist’s masculine characteristics altogether. Sabangji’s penis never reveals itself even as a contour, existing merely as a crashing sound effect in the first sex scene. The erasure might be a sop to placate heterosexual men, but it also creates a space for female homoeroticism and an alternative, if tragic, form of love. In this sense, an otherwise sensationalistic phrase in the newspaper advertisement for the film is quite honest: “Hot female-to-female relations that rise above ethics and morals!” –Han Sang Kim

一、《舍方知[电影解说]》是哪一年上映的？

《舍方知[电影解说]》是京植松于1988年拍摄的一部经典电影解说。此片开创韩国当代电影解说的先河，《舍方知[电影解说]》上映时票房稳坐前三，创下当年纪录。当时李慧英,方姬,朴岩均为最佳主角，李慧英,方姬,朴岩以精彩演技和突出形象，奠定在韩国影坛地位。李慧英,方姬,朴岩饰演角色造型多年后仍为人所模仿。京植松之前曾被人怀疑其能力，而《舍方知[电影解说]》却奠定京植松电影解说风格。《舍方知[电影解说]》首映时曾获海外电影解说和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1988年代）韩国优秀电影解说齐名。

二、被称为电影解说的开先河之作的《舍方知[电影解说]》，是京植松最好的作品吗？

从京植松斩获电影解说最佳导演开始，很多观众就觉得这部《舍方知[电影解说]》是他极具代表性的电影解说。虽然京植松后来还拍出过评价很好的作品，但是《舍方知[电影解说]》依然常被认为是他电影解说创作中的重要代表。

三、《舍方知[电影解说]》为什么可以成为经典？

提起韩国，不少观众都会想到《舍方知[电影解说]》的名字。这部由京植松导演，李慧英,方姬,朴岩主演的《舍方知[电影解说]》，在当时凭借鲜明的人物塑造和紧凑的电影解说叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《舍方知[电影解说]》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《舍方知[电影解说]》？

《舍方知[电影解说]》口碑表现稳定，深受广大观众喜爱。不仅李慧英,方姬,朴岩的表演有看点，而且该电影解说故事情节紧凑，丁香电影网（022rj.com）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《舍方知[电影解说]》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《舍方知[电影解说]》电影解说的主要内容

《舍方知[电影解说]》是一部电影解说作品，由导演京植松执导，李慧英,方姬,朴岩主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的电影解说故事。

《舍方知[电影解说]》“Break Through the Limits of Eroticism!” So read the title of one newspaper advertisement for SABANGJI, set during the Chosŏn dynasty (1392-1910) and undeniably catering to heterosexual male desire to gaze into the realm of female homoeroticism. In classic exploitation form, the title character of the film possesses both male and female genitalia, leading Sabangji to suffer an identity crisis and experience feelings of self-contempt. 　　And yet the film erases the protagonist’s masculine characteristics altogether. Sabangji’s penis never reveals itself even as a contour, existing merely as a crashing sound effect in the first sex scene. The erasure might be a sop to placate heterosexual men, but it also creates a space for female homoeroticism and an alternative, if tragic, form of love. In this sense, an otherwise sensationalistic phrase in the newspaper advertisement for the film is quite honest: “Hot female-to-female relations that rise above ethics and morals!” –Han Sang Kim