毒美人[电影解说]

《毒美人[电影解说]》讲述的是什么故事？

《毒美人[电影解说]》This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .

一、《毒美人[电影解说]》是哪一年上映的？

《毒美人[电影解说]》是翁贝托·伦齐于1969年拍摄的一部经典电影解说。此片开创意大利 / 法国 / 西德当代电影解说的先河，《毒美人[电影解说]》上映时票房稳坐前三，创下当年纪录。当时卡罗尔·贝克,让-路易·特兰蒂尼昂,艾丽卡·布兰克,霍斯特·弗兰克,赫尔佳·丽列,Ermelinda De Felice均为最佳主角，卡罗尔·贝克,让-路易·特兰蒂尼昂,艾丽卡·布兰克,霍斯特·弗兰克,赫尔佳·丽列,Ermelinda De Felice以精彩演技和突出形象，奠定在意大利 / 法国 / 西德影坛地位。卡罗尔·贝克,让-路易·特兰蒂尼昂,艾丽卡·布兰克,霍斯特·弗兰克,赫尔佳·丽列,Ermelinda De Felice饰演角色造型多年后仍为人所模仿。翁贝托·伦齐之前曾被人怀疑其能力，而《毒美人[电影解说]》却奠定翁贝托·伦齐电影解说风格。《毒美人[电影解说]》首映时曾获海外电影解说和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1969年代）意大利 / 法国 / 西德优秀电影解说齐名。

二、被称为电影解说的开先河之作的《毒美人[电影解说]》，是翁贝托·伦齐最好的作品吗？

从翁贝托·伦齐斩获电影解说最佳导演开始，很多观众就觉得这部《毒美人[电影解说]》是他极具代表性的电影解说。虽然翁贝托·伦齐后来还拍出过评价很好的作品，但是《毒美人[电影解说]》依然常被认为是他电影解说创作中的重要代表。

三、《毒美人[电影解说]》为什么可以成为经典？

提起意大利 / 法国 / 西德，不少观众都会想到《毒美人[电影解说]》的名字。这部由翁贝托·伦齐导演，卡罗尔·贝克,让-路易·特兰蒂尼昂,艾丽卡·布兰克,霍斯特·弗兰克,赫尔佳·丽列,Ermelinda De Felice主演的《毒美人[电影解说]》，在当时凭借鲜明的人物塑造和紧凑的电影解说叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《毒美人[电影解说]》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《毒美人[电影解说]》？

《毒美人[电影解说]》口碑表现稳定，深受广大观众喜爱。不仅卡罗尔·贝克,让-路易·特兰蒂尼昂,艾丽卡·布兰克,霍斯特·弗兰克,赫尔佳·丽列,Ermelinda De Felice的表演有看点，而且该电影解说故事情节紧凑，丁香电影网（022rj.com）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《毒美人[电影解说]》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《毒美人[电影解说]》电影解说的主要内容

《毒美人[电影解说]》是一部电影解说作品，由导演翁贝托·伦齐执导，卡罗尔·贝克,让-路易·特兰蒂尼昂,艾丽卡·布兰克,霍斯特·弗兰克,赫尔佳·丽列,Ermelinda De Felice主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的电影解说故事。

《毒美人[电影解说]》This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .