孽海奇逢[电影解说]

《孽海奇逢[电影解说]》讲述的是什么故事？

《孽海奇逢[电影解说]》极棒的、未受到充分重视的film noir；绝对诡异迷离的经历；茫茫大海的航船上，孤离封闭与半开放的场景空间；高妙的紧张氛围，奇特的声音设计，有点反noir精神的不一样的明亮打光；惊喜连连！ 　　Falling somewhere in the middle distance between Hitchcock's The Lady Vanishes and Jodie Foster's Flightplan, the 1953 thriller Dangerous Crossing is another tale of a perilous journey where someone disappears into thin air and only one person even remembers him existing. 　　Jeanne Crain is Ruth Bowman, formerly Stanton, a newlywed who boards an ocean liner with hubbie John (Carl Betz) to honeymoon abroad. Once the ship has sailed, however, John is nowhere to be found, and no one but Ruth remembers seeing him. Adding further frustration is the fact that though Ruth insists they checked into a larger room as a couple, the ship has her booked in a different room as a single passenger, and under her maiden name to boot. The ship's doctor, Paul Manning (Michael Rennie), takes Ruth under his care, but he becomes too confused by his attraction to her to know for sure if she's telling the truth or merely delusional. Late-night phone calls from John warning Ruth of trouble are no help, nor is the fact that the nuptials were so quickly arranged, there is nothing to verify that they even happened, not even a ring. 　　Ruth sees trouble around every corner. So much so, you'd be forgiven if you mistook the pleasure cruiser for a fishing trawler casting a wide net for red herring. There is the gay divorcee who warned of lost husbands, and the leering steward and his inappropriate innuendos. There is also a little post-War paranoia, with the creepiest suspect being a German-accented man with a limp. Even the audience has some reason to doubt Ruth. We've seen John, but her whispered inner monologue makes us wonder if maybe we're not part of her persecution complex. 　　Directed by Joseph Newman, and based on a story by mystery writer John Dickson Carr, Dangerous Crossing may be the 24th entry in Fox's newly exhumed Film Noir series, but purists will find that definition stretched a bit to include this title. Though Newman does imbue the ocean liner with an atmosphere of dread, with its endless corridors, foggy decks, and even the occasional, subtle up-and-down shifting of the frame to simulate the queasiness of sea travel, he doesn't take full advantage. Dangerous Crossing lacks the hardboiled edge or blackened morality that is normally found on noirish streets. Plus, some of the more seasoned purveyors of the genre with a stronger sense of the grotesque would have never thrown a Halloween party on board without using masks and hidden identities to take advantage of the noir theme of reinvention. It's like Mr. Arkadin put on one of his costume parties and everyone showed up in their regular clothes. 　　Yet, if you're not bugged by misplaced tags and want a solid black-and-white suspense film, Dangerous Crossing should do the trick. Jeanne Crain makes for an excellent losing-her-mind heroine, and the script should keep you guessing right up until the big reveal.

一、《孽海奇逢[电影解说]》是哪一年上映的？

《孽海奇逢[电影解说]》是约瑟夫·纽曼于1953年拍摄的一部经典电影解说。此片开创美国当代电影解说的先河，《孽海奇逢[电影解说]》上映时票房稳坐前三，创下当年纪录。当时珍妮·克雷恩,迈克尔·伦尼,Max Showalter均为最佳主角，珍妮·克雷恩,迈克尔·伦尼,Max Showalter以精彩演技和突出形象，奠定在美国影坛地位。珍妮·克雷恩,迈克尔·伦尼,Max Showalter饰演角色造型多年后仍为人所模仿。约瑟夫·纽曼之前曾被人怀疑其能力，而《孽海奇逢[电影解说]》却奠定约瑟夫·纽曼电影解说风格。《孽海奇逢[电影解说]》首映时曾获海外电影解说和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1953年代）美国优秀电影解说齐名。

二、被称为电影解说的开先河之作的《孽海奇逢[电影解说]》，是约瑟夫·纽曼最好的作品吗？

从约瑟夫·纽曼斩获电影解说最佳导演开始，很多观众就觉得这部《孽海奇逢[电影解说]》是他极具代表性的电影解说。虽然约瑟夫·纽曼后来还拍出过评价很好的作品，但是《孽海奇逢[电影解说]》依然常被认为是他电影解说创作中的重要代表。

三、《孽海奇逢[电影解说]》为什么可以成为经典？

提起美国，不少观众都会想到《孽海奇逢[电影解说]》的名字。这部由约瑟夫·纽曼导演，珍妮·克雷恩,迈克尔·伦尼,Max Showalter主演的《孽海奇逢[电影解说]》，在当时凭借鲜明的人物塑造和紧凑的电影解说叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《孽海奇逢[电影解说]》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《孽海奇逢[电影解说]》？

《孽海奇逢[电影解说]》口碑表现稳定，深受广大观众喜爱。不仅珍妮·克雷恩,迈克尔·伦尼,Max Showalter的表演有看点，而且该电影解说故事情节紧凑，丁香电影网（022rj.com）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《孽海奇逢[电影解说]》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《孽海奇逢[电影解说]》电影解说的主要内容

《孽海奇逢[电影解说]》是一部电影解说作品，由导演约瑟夫·纽曼执导，珍妮·克雷恩,迈克尔·伦尼,Max Showalter主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的电影解说故事。

《孽海奇逢[电影解说]》极棒的、未受到充分重视的film noir；绝对诡异迷离的经历；茫茫大海的航船上，孤离封闭与半开放的场景空间；高妙的紧张氛围，奇特的声音设计，有点反noir精神的不一样的明亮打光；惊喜连连！ 　　Falling somewhere in the middle distance between Hitchcock's The Lady Vanishes and Jodie Foster's Flightplan, the 1953 thriller Dangerous Crossing is another tale of a perilous journey where someone disappears into thin air and only one person even remembers him existing. 　　Jeanne Crain is Ruth Bowman, formerly Stanton, a newlywed who boards an ocean liner with hubbie John (Carl Betz) to honeymoon abroad. Once the ship has sailed, however, John is nowhere to be found, and no one but Ruth remembers seeing him. Adding further frustration is the fact that though Ruth insists they checked into a larger room as a couple, the ship has her booked in a different room as a single passenger, and under her maiden name to boot. The ship's doctor, Paul Manning (Michael Rennie), takes Ruth under his care, but he becomes too confused by his attraction to her to know for sure if she's telling the truth or merely delusional. Late-night phone calls from John warning Ruth of trouble are no help, nor is the fact that the nuptials were so quickly arranged, there is nothing to verify that they even happened, not even a ring. 　　Ruth sees trouble around every corner. So much so, you'd be forgiven if you mistook the pleasure cruiser for a fishing trawler casting a wide net for red herring. There is the gay divorcee who warned of lost husbands, and the leering steward and his inappropriate innuendos. There is also a little post-War paranoia, with the creepiest suspect being a German-accented man with a limp. Even the audience has some reason to doubt Ruth. We've seen John, but her whispered inner monologue makes us wonder if maybe we're not part of her persecution complex. 　　Directed by Joseph Newman, and based on a story by mystery writer John Dickson Carr, Dangerous Crossing may be the 24th entry in Fox's newly exhumed Film Noir series, but purists will find that definition stretched a bit to include this title. Though Newman does imbue the ocean liner with an atmosphere of dread, with its endless corridors, foggy decks, and even the occasional, subtle up-and-down shifting of the frame to simulate the queasiness of sea travel, he doesn't take full advantage. Dangerous Crossing lacks the hardboiled edge or blackened morality that is normally found on noirish streets. Plus, some of the more seasoned purveyors of the genre with a stronger sense of the grotesque would have never thrown a Halloween party on board without using masks and hidden identities to take advantage of the noir theme of reinvention. It's like Mr. Arkadin put on one of his costume parties and everyone showed up in their regular clothes. 　　Yet, if you're not bugged by misplaced tags and want a solid black-and-white suspense film, Dangerous Crossing should do the trick. Jeanne Crain makes for an excellent losing-her-mind heroine, and the script should keep you guessing right up until the big reveal.