奈斯尔之塔1955[电影解说]

《奈斯尔之塔1955[电影解说]》讲述的是什么故事？

《奈斯尔之塔1955[电影解说]》Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... 　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. 　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). 　　 　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. 　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.

一、《奈斯尔之塔1955[电影解说]》是哪一年上映的？

《奈斯尔之塔1955[电影解说]》是阿贝尔·冈斯于1955年拍摄的一部经典电影解说。此片开创法国 / 意大利当代电影解说的先河，《奈斯尔之塔1955[电影解说]》上映时票房稳坐前三，创下当年纪录。当时皮埃尔·布拉瑟,西尔瓦娜·潘帕尼尼,保罗·盖尔,雅克·图亚,Marcel Raine,Constant Rémy,莉娅·迪·雷奥,Cristina Grado,Jacques Mafioli,Rivers Cadet,Hugues Wanner,保罗·德曼格,克洛德·西尔万均为最佳主角，皮埃尔·布拉瑟,西尔瓦娜·潘帕尼尼,保罗·盖尔,雅克·图亚,Marcel Raine,Constant Rémy,莉娅·迪·雷奥,Cristina Grado,Jacques Mafioli,Rivers Cadet,Hugues Wanner,保罗·德曼格,克洛德·西尔万以精彩演技和突出形象，奠定在法国 / 意大利影坛地位。皮埃尔·布拉瑟,西尔瓦娜·潘帕尼尼,保罗·盖尔,雅克·图亚,Marcel Raine,Constant Rémy,莉娅·迪·雷奥,Cristina Grado,Jacques Mafioli,Rivers Cadet,Hugues Wanner,保罗·德曼格,克洛德·西尔万饰演角色造型多年后仍为人所模仿。阿贝尔·冈斯之前曾被人怀疑其能力，而《奈斯尔之塔1955[电影解说]》却奠定阿贝尔·冈斯电影解说风格。《奈斯尔之塔1955[电影解说]》首映时曾获海外电影解说和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1955年代）法国 / 意大利优秀电影解说齐名。

二、被称为电影解说的开先河之作的《奈斯尔之塔1955[电影解说]》，是阿贝尔·冈斯最好的作品吗？

从阿贝尔·冈斯斩获电影解说最佳导演开始，很多观众就觉得这部《奈斯尔之塔1955[电影解说]》是他极具代表性的电影解说。虽然阿贝尔·冈斯后来还拍出过评价很好的作品，但是《奈斯尔之塔1955[电影解说]》依然常被认为是他电影解说创作中的重要代表。

三、《奈斯尔之塔1955[电影解说]》为什么可以成为经典？

提起法国 / 意大利，不少观众都会想到《奈斯尔之塔1955[电影解说]》的名字。这部由阿贝尔·冈斯导演，皮埃尔·布拉瑟,西尔瓦娜·潘帕尼尼,保罗·盖尔,雅克·图亚,Marcel Raine,Constant Rémy,莉娅·迪·雷奥,Cristina Grado,Jacques Mafioli,Rivers Cadet,Hugues Wanner,保罗·德曼格,克洛德·西尔万主演的《奈斯尔之塔1955[电影解说]》，在当时凭借鲜明的人物塑造和紧凑的电影解说叙事获得了不错反响。正是人物命运、情绪推进和故事节奏之间的相互配合，让《奈斯尔之塔1955[电影解说]》在同类型作品中具有较高辨识度，也让观众对其中的情节留下深刻印象。

四、如何评价《奈斯尔之塔1955[电影解说]》？

《奈斯尔之塔1955[电影解说]》口碑表现稳定，深受广大观众喜爱。不仅皮埃尔·布拉瑟,西尔瓦娜·潘帕尼尼,保罗·盖尔,雅克·图亚,Marcel Raine,Constant Rémy,莉娅·迪·雷奥,Cristina Grado,Jacques Mafioli,Rivers Cadet,Hugues Wanner,保罗·德曼格,克洛德·西尔万的表演有看点，而且该电影解说故事情节紧凑，丁香电影网（022rj.com）观看起来流畅，同时还能保持较强的剧情吸引力。虽然不同观众对《奈斯尔之塔1955[电影解说]》的评价各有侧重，但该片目前的受欢迎程度已经名列同类作品前茅。

五、《奈斯尔之塔1955[电影解说]》电影解说的主要内容

《奈斯尔之塔1955[电影解说]》是一部电影解说作品，由导演阿贝尔·冈斯执导，皮埃尔·布拉瑟,西尔瓦娜·潘帕尼尼,保罗·盖尔,雅克·图亚,Marcel Raine,Constant Rémy,莉娅·迪·雷奥,Cristina Grado,Jacques Mafioli,Rivers Cadet,Hugues Wanner,保罗·德曼格,克洛德·西尔万主演。影片围绕主要人物的经历展开，通过人物关系、情节推进和情绪变化，呈现出一段具有观看价值的电影解说故事。

《奈斯尔之塔1955[电影解说]》Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... 　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. 　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). 　　 　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. 　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.